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Posts tagged with flapper.
girlhattan:

SO MUCH COSTUME PORN
(via Break Out the Bubbly, The Great Gatsby Trailer Is Finally Here)


The Great Gatsby trailer is here!!
There is some controversary on Youtube about the fabulousness in the above scene.
“Black people weren’t sipping champagne while standing in a drop top on a bridge…” they cry
*Ahem*
Its in the book! Chapter Four…

girlhattan:

SO MUCH COSTUME PORN

(via Break Out the Bubbly, The Great Gatsby Trailer Is Finally Here)

The Great Gatsby trailer is here!!

There is some controversary on Youtube about the fabulousness in the above scene.

Black people weren’t sipping champagne while standing in a drop top on a bridge…” they cry

*Ahem*

Its in the book! Chapter Four…

vintagegal:

Josephine Baker 1920’s

(via vintagegal)

vintagegal:

Josephine Baker 1920’s

(via vintagegal)

Josephine Baker in her bananas c.1927

Josephine Baker in her bananas c.1927

(via bronzevenus)

brandos:

A 1921 Black Vaudevillian woman.

brandos:

A 1921 Black Vaudevillian woman.

(via classicalallure)

classicfilmheroines:

Anna May Wong in 1930Photographed by Edward Steichen
Image Source: LiveJournal

classicfilmheroines:

Anna May Wong in 1930
Photographed by Edward Steichen

Image Source: LiveJournal

(via tsarevich)

theloudestvoice:

Carolynne Snowden, c. 1920s

“[Snowden] billed herself as Creole Carolynne and hired her own group of chorus girls and began directing, choreographing, and producing her revues. `Creole Carolynne Snowden with Her Dark-Town Tantalizers and Dancing Creoles” was how she publicized when she presented her revue Narcisse Noir. At Frank Sebastian’s Cotton Club, she was “The Queen of Jazz,” when she appeared in a cast of forty dancers, singers, and other entertainers.
In this age of the flapper when Clara Bow and Joan Crawford were heating up the screen, Snowden believed she, too, had the goods to make it in the movies…Finally, the studios hired Snowden - not as an actress, but to teach jazz dancing to such white stars as Constance Talmadge and Bessie Love and the Charleston to Joan Crawford. Some on-screen work came her way, too. She danced in von Stroheim’s The Merry Widow and played small roles in The Gilded Butterfly, Orchids and Ermine, and Lois Weber’s The Marriage Clause. Maintaining a backbreaking schedule, she performed in the clubs, often two or maybe three shows a night. Then she went to her home on East Fifty-fifth street for a few hours of sleep, usually no more than four. By 8:00 AM, she was at one studio or another. Snowden seemed determined to be the first black woman to make it in Hollywood. Not as a character actress, but as a sexy goddess.”

photo and excerpt from Bright Boulevards, Bold Dreams: The Story of Black Hollywood by Donald Bogle

theloudestvoice:

Carolynne Snowden, c. 1920s

“[Snowden] billed herself as Creole Carolynne and hired her own group of chorus girls and began directing, choreographing, and producing her revues. `Creole Carolynne Snowden with Her Dark-Town Tantalizers and Dancing Creoles” was how she publicized when she presented her revue Narcisse Noir. At Frank Sebastian’s Cotton Club, she was “The Queen of Jazz,” when she appeared in a cast of forty dancers, singers, and other entertainers.

In this age of the flapper when Clara Bow and Joan Crawford were heating up the screen, Snowden believed she, too, had the goods to make it in the movies…Finally, the studios hired Snowden - not as an actress, but to teach jazz dancing to such white stars as Constance Talmadge and Bessie Love and the Charleston to Joan Crawford. Some on-screen work came her way, too. She danced in von Stroheim’s The Merry Widow and played small roles in The Gilded Butterfly, Orchids and Ermine, and Lois Weber’s The Marriage Clause. Maintaining a backbreaking schedule, she performed in the clubs, often two or maybe three shows a night. Then she went to her home on East Fifty-fifth street for a few hours of sleep, usually no more than four. By 8:00 AM, she was at one studio or another. Snowden seemed determined to be the first black woman to make it in Hollywood. Not as a character actress, but as a sexy goddess.”

photo and excerpt from Bright Boulevards, Bold Dreams: The Story of Black Hollywood by Donald Bogle

(via fuckyeahmodernflapper)

Josephine Baker from the film La Sirène des Tropiques (1925)

(via garconniere)

Valaida Snow (c.1924)

Valaida Snow (c.1924)

(Source: flickr.com)

justanotherflapper:

Hu Die (AKA Butterfly Hu), famous Chinese actress born in Shanghai in 1907.

justanotherflapper:

Hu Die (AKA Butterfly Hu), famous Chinese actress born in Shanghai in 1907.

(via sydneyflapper)